In under the wire guys! Sorry so late, RL kicked my ass this week.
We pick up where we left off, with Oliver being surprised by the offer to become the Head and the torso and the entire superlative body of the Demon.
He mutters to himself as Oliver is untied, something along the lines of “The people that made that shirt really knew what they were doing.” Just kidding ha ha, it is an old phrase that means “The tale to be told begins thus”, and was spoken to him by the man whose place he took, back when dinosaurs roamed the earth.
They walk down a hallway and R’as stops a duel to tell one of the students what they did wrong. You can tell Oliver is surprised he didn’t kill them, but R’as points out that “all men need guidance”. When Oliver interprets this as the fact that his followers have to kill for him, R’as clears it up by saying that no, they have to die for him.
They sit at a table with a banquet laid out, and Oliver is not impressed. R’as says it’s pretty much an FYI, and proceeds to lay out his case: Men have called Oliver a murderer, and a torturer, but he would never be so blunt. He sees the struggle in Oliver’s eyes between his dual identities, and points out that “Oliver Queen is a man destined to be alone.”
He mentions that he loves a woman he cannot have, and right away Oliver interjects, saying that R’as doesn’t know him. R’as points out that he knows The Arrow, “Al-Sahim”, and that the people he saves will never think of him as more than a vigilante, and that his city will turn on him, the police will call him a criminal, and that he will be “scorned, hunted, and then killed”, dying as he began, alone.
You want to think that Oliver would know enough to remain stoic, but no one, not even Diggle or Felicity, has ever hit him up with such a dispassionate list of his fears. R’as’ is ticking off his greatest insecurities, and we see it in his eyes. The idea that this man can read him so easily is almost as distressing to him as the idea of what he is offering.
Back at the Foundry, Thea is trying to get Nyssa to kill her, but Nyssa’s all ‘thanks but no thanks,” saying that the blood debt ends with Malcolm’s death, which she is sure her father has already taken care of.
Laurel and Roy come down the stairs, and attack Nyssa to protect Thea. Roy knocks her out with a tranq dart, and when he asks Thea how she got out, she’s all ‘IDK, maybe League training’ and skedaddles out.
Back in Nanda Parbat, it’s storytime ft. R’as, Oliver, and the Lazarus Pit. R’as tells Oliver that the waters have allowed him to live well past his time, but that they are losing their effect on him, and that when he survived death by his own free will, without its help, he proved that he was a worthy successor.
Oliver is all ungrateful and doesn’t want to “become an instrument of death,” but R’as points out that he could save the world if he wanted, not only one city. As it turns out, the League is loyal to their leader, no matter his credo, and if Oliver-as-R’as told them to stop killing, then they would. Oliver asks what would happen if he says no, and as a gesture of goodwill, R’as allows him to leave with Diggle and Malcolm, “all debts forgiven and all blood oaths waived.”
With a final glance at the Pit, Oliver tells the men, “Let’s go home,” and they walk out.
That night at their apartment, Thea is the fandom when she tells Oliver that they need to stop having these “Thank God you aren’t dead” moments.
Oliver reassures his sister there isn’t a scratch on him. When she asks how, he looks at Malcolm laid out on her couch, and she is both surprised he got out and upset that R’as didn’t kill him. She tells Oliver he can’t stay there, but he replies that there is no other place he can take him, and that he isn’t asking for her to pity or forgive him- just to let him heal.
Oliver walks back into Verdant and dodges Diggle’s attempt to be specific about why they were allowed to leave Nanda Parbat, basically telling him that they should just be happy to be back and alive. Oliver is like St. Peter, he only answers something after you ask it three times.
***FLASHBACK ALERT*** I’m gonna deviate from the usual and just summarize the entire flashback in one go. Oliver takes Akio to the Botanical Gardens to try to find his folks, and they are found by the people looking for his parents. As Oliver tries to escape with the boy, he runs into a woman who looks exactly like Shado. ***END FB***
Oliver and Diggle walk into the lair, and Oliver ignores Laurel and tells Felicity that Malcolm is still alive, right before he opens the door to Nyssa’s cage and tells her she’s free to go.
Laurel should just write your questions down on a piece of paper and have Felicity ask them. Nyssa doesn’t believe her father would trade her life for Oliver or Malcolm. “He didn’t,” Oliver says, loquacious as always, and tells her to go home. Both Laurel and Felicity start to question him, but he snaps that it doesn’t matter and eye-begs Felicity until she pulls up a crime in progress.
At least you can always count on something awful happening in Starling City.
That something awful is a robbery of an armored truck by trigger-happy guys in masks, one of who has his lips sewn shut for no reason other than it looks scary, because no way do I think this dude gives a flaming f*ck about meditation. The baddies are surprised by Roy, Oliver and Laurel, but escape with a diamond shipment because it’s hard to catch the bad guy when you have to keep saving one of the ‘heroes.’
Oliver drops off the criminals he did capture at Captain Lance’s, but is surprised to find out that he knows he lied to him about Sara, and he’s really, really ticked about it. Lance tells The Arrow that the idea of knowing right from wrong was precious to him, and he knew vigilantism was wrong, but he threw his lot in with The Arrow because he trusted him.
But now he sees the man he is, and he “lies so he doesn’t have to carry around the weight of his decisions,” and Lance is done with him. If he’s ever done with the law, he should look into psychology because HIS ANALYSIS IS ON FLEEK.
Roy & Felicity are at the office geek-bonding. Felicity is hanging playfully onto Ray’s arm while he tries to figure out how she solved a problem he couldn’t.
Oliver sees them, composes himself and knocks, and when Felicity looks up and sees them, she jumps back like a woman who just realized the love of her life is watching her rebound hard with a human asterisk.
Oliver’s voice is so deep when he greets Ray it’s like he underwent a second adolescence just for that purpose. Ray seems surprised by his request to speak to Felicity, but he leaves them alone. Felicity apologizes for not telling Oliver about them, but he tells her she doesn’t owe him anything. “That’s not true. You’re one of my closest friends,” she replies.
Just like that, with a smile and a deep sigh, we have a detente on the Olicity Wars of 2015, and I for one couldn’t be happier. Oliver and Felicity need conflict to grow, and they are bound to clash every so often, being each the yin to the other’s yang. However, the moments where they demonstrate their faith and trust in each other are the lifeblood of this relationship. That’s the long version, The short version is it gets damned old and depressing watching them fight for almost a whole season, so FUCK YES ARMISTICE.
Oliver tells Felicity about the man with the scarecrow mouth, and she brings up a rap sheet for Micheal Amar, “Murmur”. She notices Oliver is on edge, and she gets him to tell her what Lance said to him, “some variation of go to Hell.” She tries to comfort him, but he says that the Captain is right, had every right to know, and he lied to him for months. Felicity steps in close to his body, her Green-Arrowy-senses tingling as she tells him she has a feeling something else is going on with him, besides Lance and her ‘thing’ with Ray.
She places her hands on his forearms, and whether it’s the touch alone or the fact that this is the exact same place she held on to him when they kissed, Oliver pulls back abruptly in an echo of her earlier withdrawal from Ray.
With a smile faker than a flashback wig, he thanks her for her help and leaves her with her hand up in the air where his arm was, just as she left him after their kiss.
Also, an Arrow writer comes out at this point wearing a mankini and shouts “ECHO!” just in cast you didn’t get the parallel.
Laurel shows up at the Queen’s apartment to see Thea Malcolm and compare father-drama.
Malcolm, who was awake on the couch the entire visit, gets to hear her non-apology, along with a confession that she was willing to die because of what he made her do. She tells him that she hurts more than she did when they met, and he does the fatherly thing and urges her to kill him-but quickly-because Malcolm Merlyn doesn’t want to suffer or anything.
In yet more father drama, Nyssa finds out that R’as asked Oliver to be his heir. Nyssa claims that he never approved of Sara, but R’as says what he didn’t really approve of was her weakness.
Then, because 75% of the people on this show are either active or recovering homicidal maniacs, Nyssa tries to resolve this by good ol’-fashioned patricide. R’as stops her blade with his hand, and when she tearfully tells him she will not stand there and see her legacy handed to a stranger, R’as responds “Don’t” because if R’as ever gave a fuck, it got washed off and the wound healed over immediately, like his hand does in the Pit.
Back in the Arrow Cave, Digg, Oliver and Roy discuss why Amar wanted to steal industrial-grade diamonds, and when Digg suggests asking Felicity to help, Oliver says she’s ‘preoccupied’ like someone who is caught up in a momentary problem that they are trying to get out of, WHICH IS ACCURATE. Roy offers to ask around in The Glades, and takes off. Once they are alone, Oliver finally caves and tells Diggle that R’as predicted that the city would abandon him, and he would die alone. Now that Lance is shutting him out and he sees “Felicity with Palmer,“ he feels like he saw into his future.
When Diggle tells him that it’s a mindf*ck and asks why, Oliver tells him about his proposal to become the next Demon’s Head. Digg can’t believe that Oliver would accept, but R’as made a pretty compelling argument about the difference he could make, and Oliver has obviously been thinking about it.
My take: It’s not only that Lance is angry and Felicity is “temporarily unavailable” (props to whoever wrote that line for John), but that R’as managed to shake the bedrock upon which he has isolated himself: his belief that the sacrifice of his personal life is making a difference.
If this belief isn’t true, then all his pain has not bought him or his city anything measurable in return, and his life holds no meaning. True to form, any call to self-analysis causes Oliver to RUN AWAAAY, and R’as knows it. Why spend time troubleshooting when he can just escalate the escapism to the next level and parkour into a whole new identity? I totally get why Digg does this.
In the end, Oliver says, if he can’t be himself, and the Arrow isn’t making a difference, maybe he should be R’as Al Ghul.
Oliver comes home to check if Thea killed Malcolm yet, and they talk while Malcolm listens from the couch. Thea doesn’t recognize herself anymore, and only the thought of Moira kept her from killing him. Even though Oliver reassures her that she is nothing like Malcolm, she says one thing is true: both she and her father are broken.
She leaves, and Malcolm and Oliver discuss Malcolm’s parenting, and Ra’s offer. It turns out Malcolm suspected this was the case, as there is a prophecy that states that “the man who doesn’t perish at the blade of R’as Al Ghul’s will become the next R’as Al Ghul,” and he warns Oliver that he shouldn’t delude himself into thinking he has a choice on whether or not to accept.
At the Foundry, Oliver walks in to find Felicity waiting. He thanks her for being there, and she takes a moment to let him know that even if she and Ray “may be something”, she still believes in what they do and she is committed to it. Translation?
She coyly asks about his own commitment, since John told her of R’as’ offer, and that he might be considering it. Oliver points out that he, at one time, was also an assassin, and that there is “more than one path to justice.”
Felicity asks how he knows he isn’t already on the correct path, and he expresses all the same doubts he did to John about The Arrow not making a difference, linting the people he’s lost and how Thea’s in “ten different kinds of pain.”
Felicity counters, “So you leave? Then what?”, which is THE MOST succinct counterargument anyone can ever make to Oliver and everyone in his life should just tattoo it on their wrists and flash it during arguments.
Oliver finally admits to her that he just doesn’t know why he is doing it any more, and she tells him that while she can’t give him the answer, she doesn’t think he became the Arrow so people would say “thank you.” She also curiously points out two things he didn’t mention to her personally at all: Lance shutting him out, and dying alone. Oh Digg, way to stand in for the fandom, son! Felicity acknowledges that they are not together, but it’s because of his choice.
As for the reason they do what they do, she says, that’s a question that they all struggled with when they thought he was gone- and now it’s just his turn.
Digg and Roy come back with a lead on the diamonds, and Felicity promises to contact Lance, but he’s not picking up. Laurel shows up at his office and asks her to “just let her have it” but not imagine for a minute that she will give up on them.
Lance tells her that he knows she tries to save the world, but he doesn’t know if she can save their relationship. He’s thought long and hard about it, and even though he loves her, he doesn’t know if he can forgive her.
Suddenly, they hear shots, and Lance reaches out to pull Laurel down. Outside the station, Murmur is shooting the place up. Felicity tells Oliver and Roy, who head for the station. Lance tells Laurel to run, but she won’t leave him. He retorts that “just because [she] thinks she’s some kind of hero” doesn’t mean he won’t protect his daughter.
Laurel does run, but ends up being attacked in the hall. Nyssa arrives to save her and Laurel sends her after Lance, and Oliver and Roy show up soon after. In the alley outside the station, Oliver manages to knock Murmur unconscious, and Lance asks him why he is waiting around, and if it’s because he needs a thank you. “That’s not why I do this,” Oliver retorts, and rappels out like a boss.
Back at the Foundry, Oliver thanks Felicity and tells her she was right, and Digg and Roy considerately exit so they can talk.
The Flirt is off the charts as she saunters over and he tells her that at first he embarked on his crusade for his father, but had not stopped to think of why until she asked him to. Then that night at the precinct, he thought of how the officers and how their families counted on him and the team to come home safe, and that is why.
Felicity asks if this means “a pass on becoming the most handsome Demon’s Head ever”? Oliver ALMOST smiles and says that he’s not ready to give up on what they’re doing. Felicity reminds Oliver of how he is always telling her that he just wants her to be happy, and with a smile that rivals his at the end of “The Climb,” says that “The thing is, as long as you’re in my life, I am.” He and Felicity then proceed to make not only sweet eyeball love for four full seconds, but to have what really feels like a whole eyeball rom-com.
That is, until some asshole named R.Palmer calls and c*ckblocks my fun.
Outside the station, Laurel leaves to find Nyssa waiting for her. It turns out both women are having Daddy issues and Missing Dead Sara issues, so they decide to have a bite to eat and begin a chickmance. Platonic? Romantic? Who cares! I am HERE for this.
Bonus: Nyssa will teach Laurel not to suck. Win-win! I’ve heard some folks speak out against this ship, but I am ON IT. These two women are going through the same issues and share many of the same problems. Even if it never goes romantic, I am all for something that makes Laurel less annoying and more palatable and gives Katrina Law something to play other than “fierce as sh*t,” which she has already mastered.
In the meantime, Oliver meets Maseo and formally rejects R’as offer despite his warning that the decision is already made, and that there are consequences. When Oliver asks if it’s a threat, he says it’s just “the will of R’as Al Ghul.”
Speaking of ships that share the same issues, Roy is at home pretending to read when someone knocks on his door. He is ready to lead poison them to death with a pencil, but It’s Thea, who is feeling lost and wants to stay with him a while.
She hugs him for comfort and when they pull apart, she kisses him. Roy, who knows when to deviate from his mentor’s teachings, is IN.
Somewhere in what looks like the Glades, a figure that looks like the Arrow shoots one of the men who helper Murmur steal the diamonds. He tells one of the survivors to “tell everyone” what he saw, and when the camera pans to where we can see his face, it’s R’as Al Ghul.
Like it? Want to read past eps? Here’s a link to my masterpost!