R’as is busy soaking the leather so it’s pliable when his daughter wanders in to tell him something he already knows, namely that Oliver is alive and didn’t kill Sara.
Nyssa brings up that her father never approved of Sara, but R’as says it’s because he always knew she’d get the romantic shaft. Nyssa tells him even if Oliver didn’t kill her, he defied him and should die.
Verdant is ‘closed for repairs’ and in the basement, Malcolm fights both Queens at once and eats a sandwich and does his taxes.
get it, he’s good. He criticizes Oliver training with a bow for a sword
fight and I’m sure there’s a euphemism in there. Thea tells him off,
but not as awesomely as Digg does, who tells Malcolm straight
up not to speak to him.
As Malcolm and Oliver argue about whether or not
to stay in the loft (Thea wants to, so they will), Laurel
walks over to Thea to tell her her fighting style reminds her of Sara, and you can pretty much hear Thea’s internal crying.
catches Oliver alone to ask him if he is sleeping and Oliver is all
I’LL SLEEP WHEN I’M DEAD which at this point is every Wednesday circa
ALERT***General Shrieve debriefs Oliver and tells him that Amanda
Waller and A.R.G.U.S. are off the Omega cleanup, and that he
can return to Japan with the Yamashiros and from there to anywhere he
likes, thanking him for his service. It’s such a polite exchange that you know it’s gonna go to hell.
Thea sits at the
bar at Verdant and comes clean to Roy, despite being told not to talk to
anyone. Do you, Ms. Queen. Roy tells her in turn about killing the police officer under
the Mirakuru and how he wishes he didn’t know, though it gets easier.
Thea doesn’t think it should, and points out he doesn’t have to see the cop’s family every day.
At Ray’s apartment, Felicity
up because he hasn’t been to work in a week and someone probably called
the police because of the smell.
He can’t get the suit to
work and won’t sleep or eat because obsessive superheros are
Felicity-bait. He says he needs to focus and asks her to go.
leaves a message for her father, who we can assume is not speaking to
her because OH YEAH YOU LIED TO HIM FOR MONTHS ABOUT YOUR DEAD SISTER
OMFG LET THE MAN PROCESS. Thea shows up and tells her the truth about
her role in Sara’s death.
To Laurel’s credit she doesn’t immediately
make this about herself, telling Thea that if she didn’t get a say in her
involvement up to this point, she certainly can do so going forward, and
that she doesn’t need to feel obligated to work with Merlyn.
At the Foundry, Laurel
shows up and tricks Oliver into admitting that he knew about Thea’s
part in Sara’s death, calling him out on how easily he lies to her.
can’t hate here, they are both right. Laurel is hurt that he didn’t stop
to think of how protecting Merlyn reads for her (not good), and Oliver that she
won’t understand that he’s acting on behalf of a sister that
he still has a chance to save. When Laurel tells him that it’s hard to
remember a time she loved him, I don’t even want to cheer.
Even if the
character has annoyed me endlessly, she was at the very least a
supporter and a friend, someone who had faith in him, and Oliver is burning these bridges pretty quickly.
comes home to confront his sister, only to find
that the danger he keeps bringing up to her no longer exists. Thea
proved her bloodline on both sides by making a strategic move: turning
Malcolm in to the League.
Anyone who underestimates her, Oliver
included, needs to remember that Ms. Queen is ICE COLD when crossed.
In an alley, Laurel is
dumb enough to think she could get the drop on Malcolm. He both
physically and mentally slays her, making fun for thinking she
could “dispatch him with a stick”.
She denies it, pulling out a gun, but
never gets to use it on him. LoA members drop from above, and Nyssa
tells Laurel to step aside. I love how no one calls her Canary despite
being in full regalia. Malcolm tries to fight Nyssa, but she bests him.
As he is dragged away, unconscious, Nyssa’s all ‘I got this’ to Laurel. Maybe she can still catch a movie or something.
in the Cave, Oliver walks in AAAAALLL ticked off, looking for Laurel.
I may or may not have replayed his anger strut several time. Laurel
tells him she didn’t give a damn about him saying that Merlyn
was off-limits, and he finally lets her have it. He lies to her, he
because she makes decisions based on her emotions, and that will get
Sure it’s criticism of Laurel, but it’s even better insight
into Oliver. She is committing what in his eyes is THE cardinal sin of
putting her own desires ahead of the common good. Oliver cares deeply,
but he acts strategically-you could mistake
it for a lack of emotion, but it isn’t: it’s discipline, honed
years and hard circumstances. Fighting technique is the least of
Laurel’s problems, frankly. She isn’t a hero yet because her motives are
selfish, and her personal desires trump everything else around her.
She’s got to undergo a radical change of attitude before she can wear
that suit with anything but irony, IMHO.
Merlyn is captured, and while
Laurel is satisfied with the status quo, Oliver knows his
next step is rescuing Merlyn so Thea is not responsible for his death.
Felicity and Laurel both object, but Oliver explains himself to Felicity
saying that Thea acted out of anger, and there would be no coming
back from being responsible for her father’s death. When he says that
the guilt would “eat away at her until there’s nothing left,” he’s not
just hypothesizing, and they both know it. “Please,” he says quietly,
Felicity says she will help, he closes his eyes in relief. Ugh, my
Laurel, who heard the same thing he just told Felicity, thinks Oliver is out of his mind and he snaps at her that she
doesn’t need to be there. In all fairness, she never really needed to be there. She just keeps showing up.
Felicity finds out that Starling Aviation’s cameras just went dark, and Oliver heads out to investigate.
ALERT*** Oliver and the Yamashiros are on the docks getting ready to
leave for Japan on a boat Oliver hates when Maseo notices they’ve been
set up and starts shooting while everyone else takes cover. Honorable
mention here to Stephen Amell’s jeans.
BLESS. ***END FB***
airstrip, Malcolm faces Nyssa and decides to deploy some psychological
He tells her that her relationship with Sara cost her the
chance to succeed her father, and she must know it.
Oliver shows up to
save Malcolm, and though he manages to neutralize and capture Nyssa, her
Assassins get a fighting Merlyn onto a helicopter and take off.
Proving that swordsmanship isn’t the only thing they teach in Nanda
Parbat, Nyssa takes the opportunity to rub her victory in Oliver’s face.
at the Foundry, Nyssa meditates in her cage while Oliver explains to
the team that
even if R’as won’t trade her for Merlyn, she is still a source of
information and leverage. He politely asks for the room, letting others
assume he will torture the location of Nanda Parbat out of her.
twice, but no
one leaves the room until John tells them to because FYES DIGG. Before
he leaves, Diggle tells
Oliver he can’t save Thea’s soul at the price of his own, and really,
everyone else can just leave because John is everything. Alone with his prisoner, Oliver knows torture isn’t necessary. Nyssa wants
him to go to Nanda Parbat, confident that once he gets there he will be
killed for obstructing Malcolm’s capture and she is pretty okay with
the team looks at their new security and Felicity lets slip to Laurel
about the jail on Lian Yu.
Oliver pops in with the location info and why
Nyssa gave it to him, and they all list reasons why they think going is
a bad idea. Roy doesn’t think a brother’s death would guilt Thea any
less than a father’s, Laurel is
angry at him but not enough to want him on a suicide mission, and
Felicity cautions him that the last time he went not-meaning-to-die’ing
actually did die.
Oliver looks around and notices that John
has yet to give an opinion. Diggle asks everyone to leave them alone,
and the look on this poor baby’s face when she realizes she is not being
taken into account on this decision is just UGH.
breaks for Felicity, who wants so badly to feel important and heard. You
can tell by her face as she leaves that she takes note of the fact that
she is not included in a conversation that she previously would have
been part of.
Once alone, Digg tells Oliver that he understands his reasons for going,
feels like there is something else at play. Oliver denies it, saying it
is all about Thea, and of course that means he is lying because he used
oxygen to make words.
At Ray’s apartment, he can’t access the Palmer Tech
server because Felicity, eager to save SOMEONE from a bad decision, has
locked the servers until he gets some sleep and takes a shower. Ray’s
too tired to argue, so he says OK.
At Casa Diggle, Baby Sara is
still precious and Lyla is still a BAMF.
When John tells her Oliver is
going to Nanda Parbat, she knows that as a soldier, it goes against his
grain to let his friend go into battle alone. She generously tells
that she doesn’t want to see him blame himself if something were to
happen to Oliver and tells him to go with him.
Just a moment to point
out that this is what acceptance and support of your partner looks like,
folks. You gotta know and love what you have. Diggle asks to borrow the
At Verdant, Ollie tries to sneak out when Thea
catches him, thanks to both Roy and Laurel snitching. She is afraid he will die, but
he tells her that he is doing it for her, to spare her the guilt of
knowing that her actions caused her father’s death. “Both of our parents
are dead because of me,” he says, and he doesn’t want that for
Despite the fact that she begs him in tears, he smiles and says he
will be back as soon as he can, and leaves. Hero, guys. Greater good.
Verdant, Diggle waits for Oliver to tell him he has a jet waiting, and
when Oliver mentions that he couldn’t ask him to come, Diggle points out
that he didn’t. If Oliver is Starling’s hero, John Diggle is Oliver
In Nanda Parbat, R’as pontificates and Merlyn
begs for his life. Seriously, what is Arabic for bitch-ass? Even The
Demon’s Head is all, ‘Dude. Have some dignity.’
He tells Malcolm that he
can only pay in suffering and blood, and that he will not enjoy
watching it. Malcolm gets dragged away, and he doesn’t go quietly.
wanders around Ray’s apartment when he comes out of the shower.
thanks her for taking care of him and pretty much sets about validating
every aspect of her personality that she feels Oliver slights: her
judgement, her ability to call him on his BS, and finally echoes the
magical words that Oliver once said to her on that date so long ago: he
sees her as a person. He doesn’t even get to finish his sentence before
she launches herself at him. She pulls away and apologizes, but he’s in
and it’s on.
I know the Raylicity sex upset some people and visual aids always help me, so let me draw this out for you.
that is EXACTLY what is going
on. Palmer is getting the poison out with a trusted friend and Felicity
is scratching an itch she got from too much fern cuddling. That’s IT. As
a matter of fact, feel free to imagine a cardboard cutout of Oliver
right next to Felicity every time they interact from now until the
inevitable breakup. They will likely try to give this a go in the
interest of not admitting that neither of them is the least bit
interested in a relationship with each other and dragging out the
Olicity angst, but the Ray character is problematic in so many ways, and
this only makes the situation worse. I don’t blame Felicity-he is
attractive and she’s lonely and single, but don’t expect me for a moment
to think she caught feelings: Ray is such a hard rebound they should
award his ass
points. So they sleep together, and I’m glad she got a workout but I
didn’t even flinch, it is such a non-event emotionally as to be
laughable. There was more emotion in the one long look she shared with
Oliver than in the entire sex scene.
As long as I’m talking about it, let me take a moment
to address the other half of this ship. Now Olicity is my endgame, and
yes, I believe that they love each other but even though it’s a worthy
goal to love and be loved, I honestly don’t think it is the motivating
factor in character growth, nor should it be-especially Oliver’s. If the
theme of the season is identity, then love is more the icing than the
cake itself, as well it should be. The thing
about love-and I can say this because I am old and I know
the songs are true-the greatest love of all is inside of you.
loves deeply, and truly, and he is committed past all reason to
everyone…except himself. Until Oliver realizes that his inner life is
worth the care and time investment that he puts into his crime-fighting
life, there will be no happiness for him, with Felicity or anyone
His entire identity is wrapped up in an ideal he keeps (in
his own mind) falling short of, and while he forgives and understands
others (Laurel, Roy) who on occasion fall short, he doesn’t allow
himself the same benefit of the doubt. At the end of the day, nothing
will happen without that faith in himself, without the belief that his
happiness is as worthy an investment as the happiness of others. It
can’t be Felicity, or Thea, or the memory of his dead parents, or John
Diggle or any other person he cares about. It comes down to the basic
truth that one has to love themselves first before they can love anyone
else. You have to feel that you merit love, that you deserve
fulfillment. Only Oliver
Queen can keep his light on. He’s not there yet by a long shot, but when
he does, the rest will fall into place as easily as breathing.
Nanda Parbat, Oliver and Digg fail to get the jump on the guards, and
race inside to try to save Malcolm before R’as finds out they are there.
ALERT***Oliver covers the Yamashiros as they run to a truck nearby in
an effort to escape what has become a full shootout. ***END FB***
visits Nyssa, who has some peace from knowing that Malcolm is being
punished, and that his “last hours will be spent in agony.” Laurel just
knows that once it is over, she has even less of her sister to hang on
to. She asks Nyssa if she remembers Sara’s smile, and she tells her the
story of when Sara first met her father and laughed with joy at his show
of intimidation. That is when Nyssa fell in love, and Laurel thanks her
for the story. It’s a sweet moment, and it humanizes Nyssa’s anger.
This was the love of her life.
Nanda Parbat. Diggle and Oliver
find Merlyn unconscious and suspended above hot coals. When they try to
cut him down he wakes up just enough to mumble “Trap…” The three men
are locked behind a metal door. R’as walks over and welcomes them
because he’s nothing if not polite and super old.
Oliver and John wake up chained to the floor. Oliver is upset that he
brought Diggle there to die, but he finally understands why they came.
For Thea, yes, but also because Oliver is haunted by the memory of his
fall and the knowledge that there is someone out there that beat him.
Moment of silence for a rare Oliver Queen truth bomb. It isn’t letting
him live, he confesses, ashamed that it is “egotistical and insane” to
think as he does.
John says that so is putting on a mask, and that it is
part of the mindset of a soldier: you have to believe that you are
coming home, or fear will paralyze you. “R’as got in your head,” he
tells Oliver, who doesn’t deny it. Instead he asks him about the favor
he mentioned earlier, and Diggle’s speech, like the man himself, is full
of dry wit, sentiment and probably shouldn’t make me cry (BUT IT DID):
always assumed if I ever got married again that Andy would be by my
side. But I lost my brother. I never thought I’d get another one. So
pretending for a moment that we aren’t two dead men chained to the
floor… How do you feel about being my best man?
says that he feels pretty good about it, and damn if I am not happy
these two found each other. Oliver desperately needs someone to look up
to. The door opens, and Maseo arrives to tell Oliver that it’s time to
see R’as. I almost don’t care that they are going to ‘die’ because this moment was so beautiful.
***FB ALERT***Maseo & Tatsu, trapped by
gunfire, trust Oliver with getting their son out of the line of fire,
telling him they will find him later. ***END FB***
Starling, Roy drives Thea to the officer’s house, and shows her his
child and widow. It turns out he gives them groceries and other gifts
anonymously, and it helps him with the guilt of what he did. Thea
appreciates it, but tells him that maybe a killer is what she is because
he taught her to be one. Even if Roy doesn’t believe it, he is quiet
when she tells him that she sent her own father to his death, and asks
him to take her home. Special mention to the car, which is exactly the
kind of car Roy would be if he were a Transformer.
apartment, he wakes up and sneaks out from under Felicity to work. This
is how all the best relationships start. He gets into the servers and
finally puts the Atom suit on. The music wants me to think that it is
really exciting but it is basically a diving suit with car parts on it,
and NO. Nothing about this character excites me, and the damn thing can
fly. The only thought I had was:
He even flies right outside the window where Felicity is sleeping,
and in a visual representation of what I am feeling, she rolls over and
keeps sleeping. No one cares, Ray.
Thea arrives in the basement to
tell Nyssa that she lied to her about Malcolm killing Sara. She
explains that even if he was the one that set the plan in motion, she
fired the arrows, and offers her a sword so that she can take her
In Nanda Parbat, R’as comments on Oliver coming again
to seek his death, and when he unsheaths his sword, Oliver says that he
can kill him, “but spare John Diggle’s life. Let him go. I will beg for
it.” Even Maseo lifts his eyebrows like WTF because coming from Oliver,
this is about as flowery as you get. R’as however, doesn’t want to kill
Oliver. He compliments his “strength, fortitude, and power” and then
drops his bomb: he wants Oliver to take his place as leader of the
League of Assassins.
And that’s it for a few weeks! Thanks for reading till the end! Sharing is love, and I always love comments!