The title of this week’s episode is, as used throughout the episode, an ethnic slur commonly used by colonialists on native populations to imply they are/were devoid of culture and subhuman. While I’m surprised such a woke production as Outlander chose to use it in this particular manner, I choose not to use it here. You can Google it if you’re interested.
I saw a theme this week, and that theme was hate, and how the worst hate, the most difficult to overcome, is that which has its roots in love. Spoilers ahead for episode 405.
What the Heck Happened to Roger and Bree?
Despite last week’s promo being all about them, a grand total of 3 minutes and 30 seconds out of a 53 1/2 minute episode were spent on the pair. Roger finds out that Bree spent a couple of nights at Baird’s Bed and Breakfast, the same place Frank and Claire once stayed after the war. She left a letter for him that she asked not be sent until a year hence. Roger reads it at the very end of the episode, over a montage of Bree at Craig Na Dun. In the letter, Brianna tells him that she knows of something terrible that will happen to her mother and Jamie, and she wouldn’t forgive herself if she didn’t try to warn them. She also tells him she cared for him “deeply,” and asks that he not go after her. Richard Rankin does his utmost best with so little, flinching as if shot when he reads this. Brianna is at the stones one moment (in a too-short dress that you would think a one-time history major would know better than to wear and a bracelet that tells you more about her feelings than that letter) and gone the next, and that’s that. Drums of Autumn, the novel that corresponds to this season, is the book where Roger and Brianna become main characters. It would make sense to tell their stories in a parallel manner to that of Claire and Jamie, echoing the back-and-forth from the 18th to the 20th centuries that made the first half of season 3 so memorable. Being that we’re a little under halfway through the season, I hope the producers planned that the next episodes focus more on this relationship so that viewers can become as invested as readers in this great fan favorite.
Always Take A Murtagh
In a reunion that ended up being less joyful than it should have been, we meet up with Murtagh, whose wig is EPIC. After a dozen years spent as an indentured servant after we last saw him leave Ardsmuir, his abusive master died, and the widow sold him the smithy in Woolam’s Creek upon his release. Jamie invites him to leave for the Ridge, but Murtagh says he has the smithy and important work, so he cannot. This important work ends up being that old Fraser classic: sedition. Murtagh isn’t only a regulator, but a local leader and a true believer in his cause. Jamie is dismayed to realize his uncle is gearing up for another fight and honestly reveals that he gave his word to help dispel any rebellion as part of his deal with Governor Tryon. Jamie won’t help his godfather, but neither will he interfere. I was reminded of the print shop, and Jamie and Claire’s uncomfortable first conversations.These are men who were closer to each other than anyone else in their lives and now stand on opposing sides of an issue. Murtagh stayed to fight in Culloden for love of Jamie, and for his love, was an abused servant who rebuilt a community. Robbed of his home and his family, Murtagh is now driven by what remains of the great love he had for his family and his country: hatred for injustice, and for the English abuse of power at its heart. Murtagh’s reappearance is a classic case of being careful what we wish for. Now he’s back in Jamie and Claire’s life, his regulator activities are no doubt one of many things gearing up to disturb the fragile tranquility of the life that the Frasers are attempting to build.
What Makes A Father
In a return to the visions that Jamie had of Claire during their time apart, he tells Claire of a dream he had of a diamond-shaped birthmark on Brianna’s neck, behind her left ear. Claire is rightfully amazed, being that she never told Jamie about it but she confirms the birthmark’s existence, and that it is usually…. “Covered by her hair,” Jamie finishes, echoing her. “I kissed her there,” he says quietly, with a rueful grin. The wonder on his face when he realizes it was a real glimpse of his daughter is quickly eclipsed by his loss and Claire hurries to hold him. Jamie, a three-times biological father, has been denied the experience of fatherhood all three times. The brief years spent with Willie and his time with Fergus is about as close as he’s gotten. And you won’t hear me disparage the depth of adopted parental love. Having both adopted and biological children, I can tell you the love is just as punishing and overwhelming and wonderful. I can also tell you the loss of either would be crushing, more so without even the balm of shared memories to soften it. I felt deeply for Jamie during this brief interaction. His love of his children is a hidden furnace, silently feeding a love that he can’t fully express. Jamie, rational being that he is, doesn’t hate easily. Only someone who seeks to harm his family could elicit that emotion, but having a child who is being parented by someone else and an adult, headstrong daughter means his children are largely outside his sphere of control, and at the mercy of fate. Now that Brianna has come back in time and we are due to check in with Willie next week, Jamie will have to reconcile the children he keeps in his heart with the ones that life has seen fit to give him.
It’s Not Your Fault
The episode opens with Claire and Adawehi teaching each other about their languages and their healing by the water. While most of their conversation is mimed, the warmth between the two is unmistakable. when Claire is once more asked about her children and mentions Brianna living “far away,” Adawehi replies that Brianna is there. It’s an indication of just how strong her magic and premonitions were, providing a mournful background to events later in the episode. When Jamie and Ian go to seek families to populate the Ridge, Claire stays behind to deliver a baby at the Mueller residence. Petronella, a young widow, lives with her parents and brother. Gerhard, the patriarch and new grandfather, is described as stubborn by Jamie but is shown to be a loving husband and father and a doting grandfather who purchases a doll for his infant grandchild, named after Claire. The effect of Tawodi’s appearance on the jovial Mueller is instant and horrifying to watch. With a knee-jerk fear that is all too familiar to people of color, Mueller and his son point a musket at the natives trying to water their horses, accusing them of trying to violate property lines that they don’t even recognize. Claire’s friendship with Adawehi temporarily defuses the confrontation, but later, when the measles take Petronella, her brother and the infant, that same association dooms her. Mueller doesn’t hold the men responsible, but rather Adawehi, citing her as a witch, the source of the curse and implying that his position as a Christian should have exempted him and his family from death. Aside from the casual misogyny so prevalent in the time, the belief that his faith makes him morally (or in this case, physically) superior to the natives. Adawehi’s parting words to Claire last episode finally make sense. Her death is a direct result of the perversion into hate of two great loves: the love of a father and the love of God. Mueller uses these to justify great hatred and terrible violence, and because of this, whether by the hand of the Great Spirit, God, or both, it is returned to him in the same manner. Claire, bringer of life, mender of bodies, is unprepared for the emotional weight of such hatred. After being presented with the evidence of Mueller’s crime, she asks him to leave and spends her remaining time alone tensely defensive. As with all hate, it take the return of love to diffuse the fear and impotence that hatred brings. When Claire asks Jamie to hold her, it is as if he is squeezing all of us through the screen, a tiny island of reassurance in an ocean of turmoil.